Home / Lossing, Benson John. The Hudson, from the Wilderness to the Sea. New York: Virtue & Yorston, 1866. Internet Archive identifier: hudsonfromwilder00lossi. Illustrated travel-history of the Hudson River valley by the writer and artist Benson J. Lossing, whose chapter on Teller's / Croton Point is a primary source for Senasqua place-name etymology, Sarah Teller's 1682 purchase, and the Underhill vineyard. / Passage

The Hudson, from the Wilderness to the Sea

Lossing, Benson John. The Hudson, from the Wilderness to the Sea. New York: Virtue & Yorston, 1866. Internet Archive identifier: hudsonfromwilder00lossi. Illustrated travel-history of the Hudson River valley by the writer and artist Benson J. Lossing, whose chapter on Teller's / Croton Point is a primary source for Senasqua place-name etymology, Sarah Teller's 1682 purchase, and the Underhill vineyard. 269 words

Following a winding road up the east bank of the river from this point, we came to a mill, almost hidden among the trees at the head of a dark ravine, through which flows a clear mountain stream, called Kedron Brook, wherefore, I could not learn, for there is no resemblance to Jerusalem or the Yalley of Jehoshaphat near. It is a portion of the beautiful estate of Ardenia, the property of Richard Arden, Esq. His son. Lieutenant Thomas Arden, a graduate of the West Point Military Academy, owns and occupies Beverly, near by, the former residence of Colonel Beverly Robinson (an eminent American loyalist during the war for independence), and the head-quarters of General Benedict Arnold at the time of his treason. It is situated upon a broad and fertile terrace, at the foot of Sugar-Loaf Mountain, one of the eastern ranges of the Highlands, which rises eight hundred feet above the plain.

CHAPTEE XIII.

[;3T was mid-autumn when we visited Beverly House, and the Sugar-Loaf Mouutaia, at the foot .of which it stands, exhibited those gorgeous hues which give such unequalled splendour to American forests at that season of the year. The beautiful hues of the foliage of the maple, hickory, chestnut, birch, sassafras, and several other kinds of deciduous trees in the Northern and Middle Stales, seen just before the falling of the leaf in autumn, are almost unknown in Europe. A picture by Cropsey, one of the most eminent of living American landscape painters, in which this peculiarity of foliage was represented, drew from one of the minor English poets the following sonnet : --