Home / Lossing, Benson John. The Hudson, from the Wilderness to the Sea. New York: Virtue & Yorston, 1866. Internet Archive identifier: hudsonfromwilder00lossi. Illustrated travel-history of the Hudson River valley by the writer and artist Benson J. Lossing, whose chapter on Teller's / Croton Point is a primary source for Senasqua place-name etymology, Sarah Teller's 1682 purchase, and the Underhill vineyard. / Passage

The Hudson, from the Wilderness to the Sea

Lossing, Benson John. The Hudson, from the Wilderness to the Sea. New York: Virtue & Yorston, 1866. Internet Archive identifier: hudsonfromwilder00lossi. Illustrated travel-history of the Hudson River valley by the writer and artist Benson J. Lossing, whose chapter on Teller's / Croton Point is a primary source for Senasqua place-name etymology, Sarah Teller's 1682 purchase, and the Underhill vineyard. 313 words

As I looked upon that good man of gentle, loving nature, a bachelor of sixty-five, I thought of his exquisite picture of a true woman, in his charming little story of " The Wife," and wondered whether his own experience had not been in accordance with the following beautiful passage in his ' ' Newstead Abbey," Jin which he says: -- "An early, innocent, and unfortunate passion, however fruitful of pain it may be to the man, is a lasting advantage to the poet. It is a well of sweet and bitter fancies, of refined and gentle sentiments, of elevated and ennobling thoughts, shut up in the deep recesses of the heart, keeping it green amidst the withering blights of the world, and by its casual gushings and overflowings, recalling at times all the freshness, and innocence, and enthusiasm of youthful days." (l visited Sunnyside again only a fortnight before the death of Mr. Irving. I found him in his study, a small, quiet room, lighted by two delicately curtained windows, one of which is seen nearest the porch, in our little sketch of the mansion. From that window he could see far down the river ; from the other, overhung with ivy, he looked out upon the lawn and the carriage-way from the lane. In a curtained recess was a lounge with cushions, and books on every side. A large easy-chair, and two or three others, a writing-table with many drawers, shelves filled with books, three small pictures, and two neat bronze candelabra, completed the furniture of the room. It was warmed by an open grate of coals in a black variegated marble chimney-piece. Over this were the three small pictures. The larger represents "A literary party at Sir Joshua Reynolds's." The other two were spirited little pen-and-ink sketches, with a little colour -- illustrative of scenes in one of the earlier