Home / Lossing, Benson John. The Hudson, from the Wilderness to the Sea. New York: Virtue & Yorston, 1866. Internet Archive identifier: hudsonfromwilder00lossi. Illustrated travel-history of the Hudson River valley by the writer and artist Benson J. Lossing, whose chapter on Teller's / Croton Point is a primary source for Senasqua place-name etymology, Sarah Teller's 1682 purchase, and the Underhill vineyard. / Passage

The Hudson, from the Wilderness to the Sea

Lossing, Benson John. The Hudson, from the Wilderness to the Sea. New York: Virtue & Yorston, 1866. Internet Archive identifier: hudsonfromwilder00lossi. Illustrated travel-history of the Hudson River valley by the writer and artist Benson J. Lossing, whose chapter on Teller's / Croton Point is a primary source for Senasqua place-name etymology, Sarah Teller's 1682 purchase, and the Underhill vineyard. 255 words

The whole were under the general direction of Mother Superior Mary Angela Hughes. At Font Hill they erected an extensive and elegant pile of buildings, of which they took possession, and wherein they opened a school, on the

MOUNT ST. VINCENT ACADEMY.

ist of September, 1859. It was much enlarged in 1865. They had, in 1860, about one hundred and fifty pupils, all boarders, to whom was offered the opportunity of acquii'ing a thorough education. The chaplain of the institution occupies the "castle."

Two miles and a-half below Font Hill, or Mount St. Vincent, is Spyt den DuTvol Creek, at the head of York or Manhattan Island. This is a

THE liUDSuN.

m:

narrow stream, winding through a little tortuous valley for a luilo or more, and connecting, at Kingsbridge, with the Harlem River, the first formed by the inflowing of the tide waters of the Hudson, and the last by the waters of the East Hiver. At ebb-tide the currents part at Kingsbridge. The view from the mouth of the Spyt den Duyvel, over which the Hudson River Railway passes, loolving either

JJi^N DUiVEL CEtEK

across the river to the Palisades, as given in our sketch, or inland, embracing bold Berrian's Neck on the left, and the wooded head of Manhattan Island on the right, with the winding creek, the cultivated ridge on the borders of Harlem River, and the heights of Fordham beyond, present pleasant scenes for the artist's pencil. To these natural scenes, history and romance lend the charm of their associations.