Home / Brinton, Willard C. Graphic Methods for Presenting Facts. New York: The Engineering Magazine Company, 1914. Internet Archive identifier: cu31924032626792 (Cornell University Library copy). The first American textbook on what we now call data visualization. / Passage

Graphic Methods for Presenting Facts

Brinton, Willard C. Graphic Methods for Presenting Facts. New York: The Engineering Magazine Company, 1914. Internet Archive identifier: cu31924032626792 (Cornell University Library copy). The first American textbook on what we now call data visualization. 300 words

MAPS AND PINS

Photographs for hne cuts must have a good contrast of white and black, or colors which photograph as black. Photographs or original drawings containing shades of gray will not produce good line cuts and frequently cannot be used at all for the zinc engraving process. When line cuts are to be made from pin maps it is best to be certain that the glass-head pins are selected in colors which will photograph as black. Red, orange, and black pins can be used without any question, since negatives made from these colors give a dead black on the photographic print. Line cuts can also be made from dark green and some of the other colors. Where it is necessary to make photographs and line cuts from a very expensive and elaborate pin map, it is wise to consult the engraver before the pin colors for the map are finally decided upon. The color blue should be carefully avoided if photographs or line cuts are to be made, since blue almost totally fails to show up on a photograph.

If half-tone engravings can be used to illustrate the pin map, many more different colors of pins may be used on the original map than when zinc cuts are the means of printing. Another advantage of half-tones is that different colors of pin heads are represented in the half-tone by different shades of gray, as can be seen in Fig. 191. On the left half of Fig. 191, fourteen different colors of glass-head map pins were used. The photograph Avas not retouched in any way. Fig. 191 thus represents about what can be expected of different colored pin heads for contrast in half-tone illustration. Note the high lights which give white spots on the circles of the darker pin heads.